Framed Art Card - Summer's Dance (9" x 12")
Artist: Andy Everson
One can often hear a hummingbird before they can see it. It approaches with a low hum, its wings beating more than fifty times per second. Witnessing hummingbirds in action is always a magnificent sight. They hover and move gracefully from flower to flower, feeding from its sweet nectar. Their iridescent feathers glisten in the sunlight, enchanting and mesmerizing the viewer. To me, the image of a “Summer’s Dance” comes to mind.
According to my grandmother, the Kwakwaka’wakw believe that Hummingbirds bring a person luck. Specifically, she said that if one were to find a hummingbird’s nest, their luck would increase significantly. Personally, I feel that just watching a hummingbird is itself a lucky experience. I try to portray this magical encounter in “Summer’s Dance.”
About The Artist
Andy Everson was born in Comox, BC in 1972 and named Na̱gedzi after his grandfather, the late Chief Andy Frank of the K’ómoks First Nation. Andy has also had the honour of being seated with the ‘Na̱mg̱is T̓sit̓sa̱ł'walag̱a̱me' name of Ḵ̓wa̱mxa̱laga̱lis I'nis. Influenced heavily by his grandmother, he has always been driven to uphold the traditions of both the K’ómoks and Kwakwa̱ka̱'wakw First Nations. In this regard, Andy has pursued avenues where he can sing traditional songs and perform ceremonial dances at potlatches and in a number of different dance groups, most notably the Le-La-La Dancers, the Gwa'wina Dancers and the K’umugwe Dancers.
Pursuing other areas of traditional culture has also led Andy to complete a Master’s degree in anthropology. Because the K’ómoks First Nation lies on the border between the larger Salish and Kwakwa̱ka̱'wakw realms, his thesis focused on notions and expressions of contemporary Comox identity. His work in anthropology provided him with a background in linguistics which subsequently inspired him to create a company, Copper Canoe, Inc, that specialized in the creation of Aboriginal language media.
Andy feels that his artwork stands on par with these other accomplishments. Although he began drawing Northwest Coast art at an early age, Andy's first serious attempt wasn’t until 1990 when he started designing and painting chilkat-style blankets for use in potlatch dancing. From these early self-taught lessons, he has tried to follow in the footsteps of his Kwakwa̱ka̱'wakw relatives in creating bold and unique representations that remain rooted in the age-old traditions of his ancestors. The ability to create and print most of his own work has allowed Andy to explore and express his ancestral artwork in a number of contemporary ways.